Prayer flags blowing in the wind

Each Memorial Day weekend, artists and activists, filmmakers and photographers come to Telluride for Mountainfilm. At our core, we are about exploring, preserving and sustaining environments, cultures and conversations, so this unique gathering is part film festival and part ideas festival with leading edge thinkers – and doers – getting together to change the world.
Leading up to this year’s festival we wanted to focus on conversations worth sustaining and we’ve asked some of Mountainfilm’s special guests to help us out. Throughout the coming weeks we’ll be posting our conversations with them. We hope that they engage and inspire you.

If you want to participate in this discussion, just submit your questions via our Facebook page or our Twitter account.

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rick ridgeway portraitOne of the world’s most accomplished mountaineers and explorers, an author, filmmaker and photographer, Rick Ridgeway is known for being on the first team of Americans to summit K2 and the first from any country to do it without supplemental oxygen. He was on the second American team to climb Everest. But in recent years, he has taken on his most daunting challenge — saving our Earth’s wildness.

A conservationist to the core, Ridgeway has become an indispensable ally of Earth’s most iconic endangered species and wild places. He has trekked from the summit of Mount Kilimanjaro to the Indian Ocean amongst lions and elephants, to raise awareness to how humans have transformed our wild world, and hauled a 300-pound rickshaw across the 16,000-foot rugged Tibetan wilderness to protect the chiru, a Tibetan antelope being killed off by poachers. Ridgeway

In the last several years, Ridgeway has brought this battle home to America’s last remaining wild places and the iconic animals in danger of disappearing. Part of the Patagonia family since the beginning, Ridgeway partnered with the clothing company to launch the Freedom to Roam campaign, an initiative based on the idea that wild animals need hundreds of miles of interconnected, undisturbed wild habitat to survive. In the United States, where sprawl and concrete has gobbled wilderness at a terrifying pace, this attempt to protect migratory corridors for North America’s grizzlies, caribou and wild salmon is an awesome feat.

The epic journeys of these incredible animals are reminiscent of Ridgeway’s own adventures. And in the face of a challenge this huge, it takes a bold, passionate and determined leader to succeed — a leader exactly like Rick Ridgeway.

What factors first fueled your thirst for adventure?

I grew up in the orange groves Southern California in the 50’s and 60’s, and when I saw the place paved over with housing developments, I fled to the mountains above the LA basin. I used to ditch school and go up there on my Honda 50 motor scooter and hike around: it was where I found solace. Then I started going up there in the winter, and pretty soon had to buy myself an ice ax and boots and crampons and a copy of Freedom of the Hills, with its instruction section on how to use the tools. So I taught myself: I couldn’t find anyone else with my interest or passion for the mountains and mountaineering— that didn’t happen until I was out of high school.

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12 Shots

We’re excited to announce the International League of Conservation Photographers will be in Telluride for the fest this year. Their newest project? 12 Shots, an outlet for emerging photographers to tell a story in just 12 frames.

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As part of our photo contest, we’re featuring some of our favorites here on the blog. Every week we’ll be bringing you another photo that in one way or another reflects our mission statement: educating and inspiring audiences about issues that matter, cultures worth exploring, environments worth preserving and conversations worth sustaining.

We chose this photo of the Beartooth Highway because it represents a critical dilemma we face in preserving beautiful landscapes and yet making them accessible to everyone. As the highway provides access to Yellowstone and has been dubbed the most beautiful highway in America, it certainly must suffer from congestion and (relatively) heavy traffic during the high season. However, it is also critical that Americans, and people worldwide, have access to such an important part of our heritage and the ability to appreciate its beauty. Thus, the image pertains to both an issue that matters and an environment worth preserving.

For your chance to be featured on The Conversation and possibly winning free gear and a VIP Festival Package, please submit your photo. More details here.

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Pico Iyer (Mountainfilm guest, 2008) is enchanted by a mountain-top city on the cusp of great change
The Observer (UK)
February 14, 2010

I walked out on to the balcony in Banak Shol guesthouse in Lhasa, Tibet, in 1985 and looked up to where the Potala Palace sat, on a ridge overlooking the small cluster of traditional whitewashed houses.

A few backpackers were gathered on the terrace, talking about the days of hard travel they’d survived to get there. Tibet had opened up to the world only a few years before, and all of us had the sense of stepping into a place almost never before seen by foreign eyes.

The Banak Shol could not have been a less propitious setting for romance. There were no windows in my little cell and I had to crawl into it before flopping on to the bed. Yet even then, on that first night, I knew, as one does in love, that I was in a place I’d never see again.

The kids on the streets were already asking for pens from the foreigners who arrived, and a Rambo Café in Lhasa was clearly on its way. I realised that the same impulse that had allowed me to come here would ensure that Lhasa would not remain a deeply Tibetan settlement for much longer. Besides, many of its temples were already in ruins, and by the time I came back, five years later, the place was under martial law, with soldiers on the rooftops.

Next morning, the mountains were so sharp and bright in the high, thin air, I felt light-headed. I stepped out of my real life in that crystal light, and seemed to be looking at everything from a great, clear height. One of the things I saw from there was the end of a romantic Tibet.

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mountainfilm

Mountainfilm is dedicated to educating and inspiring audiences about issues that matter, cultures worth exploring, environments worth preserving and conversations worth sustaining. That’s our mission statement and we think it nicely captures what we’re about. We wonder what it may convey to others.

To help us find out, we’re launching a contest leading up to our 2010 festival to find photos that communicate either all or any part of our mission statement. What kind of photos do we expect to find? Anything from inspiring adventure photos to landscape shots of beautiful natural spaces to portraits of people taking action and working for positive change. The contest theme is broad because we want to see all the ways that our mission may speak to you.

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